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dc.contributor.authorPhillips, M
dc.contributor.editorVear C
dc.date.accessioned2024-04-15T16:43:46Z
dc.date.available2024-04-15T16:43:46Z
dc.date.issued2021-12-31
dc.identifier.other1.3
dc.identifier.urihttps://pearl.plymouth.ac.uk/handle/10026.1/22278
dc.description.abstract

This chapter explores the origins of creative practice-based research, its roots in the Art College system and its struggle to emerge imago like in the University system. It reflects on the academicisation of art and design and the slow and relentless metricization of culture and creativity, both within the context of research and the broader cultural landscape. As such, some of these characteristics have a strong UK focus, but the reader may recognise similar tropes in their recent cultural history. There is hope in the emergence of a new creature born in vitro to embrace the challenges of this new context, as an interdisciplinary practitioner with a transdisciplinary agenda. Much of this refers to the kinds of interdisciplinary work that emerged through a history of C20th artists engaging with digital technologies and subsequent entanglement with the broader science communities. As such, there is a focus on examples drawn from the work of Roy Ascott and the Planetary Collegium, a nomadic practice-based PhD programme with its origins in the 1960’s networked enlightenment. There is consideration of the ingredients necessary to support interdisciplinary practice-based research for the creative practitioner, in terms of the necessary international networks, the kinds of event/space that provides a provocative environment to nurture such work and a couple of examples of the instruments and artefacts that open up new creative relationships.

dc.format.extent60-74
dc.publisherRoutledge
dc.relation.ispartofThe Routledge International Handbook of Practice-Based Research
dc.titleISBN 9780367341435
dc.typechapter
plymouth.publisher-urlhttps://www.routledge.com/The-Routledge-International-Handbook-of-Practice-Based-Research/Vear/p/book/9780367341435
plymouth.publication-statusPublished
plymouth.seriesRoutledge International Handbooks
dc.identifier.doi10.4324/9780429324154-1
plymouth.organisational-group|Plymouth
plymouth.organisational-group|Plymouth|Research Groups
plymouth.organisational-group|Plymouth|Faculty of Arts, Humanities and Business
plymouth.organisational-group|Plymouth|Research Groups|Institute of Health and Community
plymouth.organisational-group|Plymouth|Faculty of Arts, Humanities and Business|School of Art, Design and Architecture
plymouth.organisational-group|Plymouth|REF 2021 Researchers by UoA
plymouth.organisational-group|Plymouth|Users by role
plymouth.organisational-group|Plymouth|Users by role|Current Academic staff
plymouth.organisational-group|Plymouth|REF 2021 Researchers by UoA|UoA32 Art and Design: History, Practice and Theory
plymouth.organisational-group|Plymouth|REF 2029 Researchers by UoA
plymouth.organisational-group|Plymouth|REF 2029 Researchers by UoA|UoA32 Art and Design: History, Practice and Theory
dc.publisher.placeLondon
dc.date.updated2024-04-15T16:43:45Z
dc.rights.embargoperiodforever
rioxxterms.versionofrecord10.4324/9780429324154-1


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